polishing, getting ready for export
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@@ -10,13 +10,13 @@ Not painful. Not even uncomfortable. Just — present. A steady, patient draw ag
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(*Twelve percent. Maybe eleven. Stop counting.*)
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Drenwick materialized in stages — first the canal bridge, then the warehouse roofs, then the smell. Fish, coal smoke, canal water, and underneath it all, the particular sourness of a city that had been awake for hours while I'd been walking through empty countryside like a man who'd forgotten how doors worked. Saturday midday traffic filled the streets: dock crews on half-shifts, market sellers hawking end-of-morning bargains, a cluster of students from the academy arguing about something I was too tired to eavesdrop on.
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Drenwick materialized in stages — first the canal bridge, then the warehouse roofs, then the smell. Fish, coal smoke, canal water, and underneath it all, the lived-in sourness of a city that had been awake for hours while I'd been stumbling through empty countryside like someone who'd forgotten how doors worked. Saturday midday traffic filled the streets: dock crews on half-shifts, market sellers hawking end-of-morning bargains, a cluster of students from the academy arguing about something I was too tired to eavesdrop on.
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I turned toward the guild quarter boundary. Carter first. I'd told him I'd come back after, and I meant it. The guild was two blocks past his shop — efficiency mattered when your legs were voting to stop.
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* * *
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Carterson's Supplies occupied the same unremarkable storefront it always had — narrow entrance, hand-lettered sign, the particular quality of organized chaos visible through the front window that told you the owner knew where everything was even if you didn't. The bell above the door rang when I pushed through, and the front counter was empty.
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Carterson's Supplies occupied the same unremarkable storefront it always had — narrow entrance, hand-lettered sign, a quality of organized chaos visible through the front window that told you the owner knew where everything was even if you didn't. The bell above the door rang when I pushed through, and the front counter was empty.
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Sounds from the back. Metal on stone, the faint whisper of inscription work — a stylus against treated steel, precise and repetitive.
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@@ -40,61 +40,11 @@ He looked at the neck wound — sealed, clean, but visible above my collar where
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Carter nodded. Professional satisfaction, nothing more. He didn't ask about the wound itself — how I'd gotten it, how close it had been. He'd sold me the kit to handle exactly this situation, and the kit had handled it. That was the relevant data.
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"Come on back," he said, and disappeared into the workshop.
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"Get that neck looked at properly when you can," he said. "The field seal's good for a few days, but you'll want it checked." He paused, eyes moving to the pack on my shoulders and back. "Come back when you've slept. I've got a project I want a second pair of eyes on."
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I followed him through the doorway and into a space I hadn't seen on my first visit. The back room of Carterson's Supplies was not a storeroom. It was a forge-and-inscription workshop — compact, meticulously organized, and serious. A small forge occupied the far corner, cold now but recently used. Workbenches lined two walls, covered in tools I recognized and several I didn't. A magnification apparatus sat clamped to one bench, its lens assembly positioned over a set of throwing knives. Four of them, laid out in a row on a treated leather mat, each roughly eight inches long with a slim profile designed for wrist or chest sheaths. The blades themselves were good steel, well-balanced, but that wasn't what caught my attention.
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It was a professional invitation. It was also, underneath the professionalism, something else — the kind of thing a man said when he wanted to know you'd come back alive without admitting that was the question.
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Focusing channels. Three of them inscribed along each blade's spine, fine as hair, running from the grip to a convergence point near the tip where they fed into a tiny amplification node. The channels would carry a magical working during the throw — the user would pump energy into the grip, the channels would carry it forward, and the node would amplify on impact. Concealable magical weapons for someone who needed range and discretion.
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"Side project," Carter said, and the way he said it told me it was anything but. "Client wants channeled throwing weapons. The focusing work is straightforward, but the amplification ratio —" He shook his head. "More output than input without the blade degrading. I've been working the inscription geometry for three days."
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I wasn't trying to look. That's the thing about Flaw Sight — it doesn't ask permission, and the bracelet had sharpened it like a lens clicking into focus. The channels on the third knife lit up in my perception before I'd finished processing Carter's sentence: energy flow paths, convergence angles, stress propagation patterns. The whole architecture of the inscription laid itself out in my awareness with a clarity that was —
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New. Finer than I was used to. The bracelet's focusing matrix was doing exactly what I'd hypothesized in the Barrows: same perception, higher resolution. I could see the energy flow at a granularity that Carter's tools couldn't match.
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And I could see the problem.
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"Your third channel," I said. "The convergence is too tight at the amplification node."
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Carter went still. Not offended — listening.
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"The three channels meet at roughly" — I tilted my head, letting the enhanced perception map the geometry — "six degrees of convergence. Under repeated magical stress, that concentration point will develop micro-fractures along the spine. Forty, maybe fifty throws before the blade cracks."
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"How can you —" Carter started, then stopped himself. Craftsman's discipline. The *how* mattered less than the *what*. "Go on."
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"Widen the convergence angle. Not much — a few degrees. And stagger the channel depths so they don't all arrive at the node on the same plane. First channel at surface depth, second slightly deeper, third deeper still. The thermal load distributes across more of the blade's cross-section instead of concentrating at a single point."
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I was talking the way I talked when the noise locked onto a technical problem — fast, precise, and completely unaware of social context. Carter didn't seem to mind. He'd pulled a stool over and was leaning on the workbench, eyes on the knife, processing.
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"The staggered depth also improves your channeling efficiency," I added. "Energy arrives at the node in sequence instead of simultaneously — tiny intervals, fractions of a fraction — but the amplification function processes sequential input about twelve percent more efficiently than simultaneous. You get more output for the same input, and the blade lasts indefinitely."
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(*Twelve percent. That's significant. Carter's been losing twelve percent on every knife he's made and didn't know it. Nobody would know it. The tools to measure that don't —*)
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"I've been staring at that inscription for three days," Carter said quietly. He wasn't looking at me now. He was looking at the knife, and the expression on his face was the one I recognized from Mere at Aldric's — someone encountering precision they hadn't known was possible. Except Carter's version was warmer. Maker's hunger. He wanted to understand, not just observe.
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"How did you see that?" he asked. Not accusatory. Genuinely wanting to know.
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"Geometry," I said, which was true in the same way that saying a river is "water" is true. "I've got an eye for structural flaws in magical workings. Comes up sometimes."
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Carter studied me for a long moment. Then he nodded, in the way people nod when they've decided to accept what they're given and remember what they weren't given.
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"You've got store credit," he said. "Effective now, no expiration. Next time you need to outfit for a job, your money's no good here until we're square."
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"You don't have to —"
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"I've been staring at it for three days, Varrant. Three days. And you walked in here half-dead and saw it in ten seconds." He picked up the third knife and turned it in his hands, already redesigning. "We're not square yet. Not even close."
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I didn't argue. Partly because he was right about the value of what I'd given him. Partly because I was too tired to argue about anything. And partly because store credit at Carterson's Supplies was worth more than the number attached to it — it meant the next job cost less out of pocket, and the job after that, and the one after that.
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Carter noticed the bracelet as I shifted the pack on my shoulders. His eyes dropped to my wrist, paused, came back up.
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"New piece?"
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"Recent acquisition."
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The pause sat between us for exactly one second. Then Carter went back to the knife.
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"Get that neck looked at properly when you can," he said. "The field seal's good for a few days, but you'll want it checked."
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"I will."
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I left through the front, the bell chiming behind me. Two blocks to 14 Greystone Lane.
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@@ -152,6 +102,8 @@ That landed wrong and he knew it. Thornwell root and feverwort — both in Gavre
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I genuinely didn't know which was worse.
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The discomfort sat in a place I wasn't used to feeling it. I read people for a living — motivations, pressure points, the gap between what they said and what they meant. Being on the receiving end of that same process, executed with my own level of precision, was like watching someone pick a lock you'd built. Not threatening, exactly. Worse than threatening. It meant there was someone in the room who saw me the way I saw everyone else, and the view from the other side of that lens was deeply, specifically uncomfortable.
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"I'll manage," I said.
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"I'm sure you will." Ledger opened a drawer and produced a leather pouch. "Forty silvers, job rate for NS-7714. Minus the standard twenty percent guild commission." He set the pouch on the desk. "Thirty-two silvers."
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@@ -188,7 +140,7 @@ The bracelet caught the light from the window. I'd put it back on after leaving
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Not black. Not the pure, light-absorbing jet-dark it had been in the Barrows' chamber.
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Very dark red. Just barely. The kind of color shift you'd miss if you weren't looking for it, or if you hadn't spent ten minutes with your face six inches from the thing while your Flaw Sight mapped its architecture. The reservoir — the second function, the one that trickle-charged from the wearer's natural recovery — was taking in energy. Slowly. Patiently.
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Very dark red. Just barely. The kind of color shift you'd miss if you weren't looking for it, or if you hadn't spent ten minutes with your face six inches from the thing while your Flaw Sight mapped its architecture. And warmer — not the ambient warmth it had carried in the Barrows, but something with a pulse to it, a faint rhythmic fluctuation in the stone's temperature that hadn't been there before. The reservoir — the second function, the one that trickle-charged from the wearer's natural recovery — was taking in energy. Color and heat, both shifting. Two data points where there had been none. Slowly. Patiently.
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I should have analyzed it. Mapped the charge rate, estimated the reservoir capacity, studied the pre-Compact notation I couldn't fully read. I should have done a lot of things.
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